Sound collection
AJO CC401P |
Авторский тест пассивного Ajo CC401P от гитариста групп Мистер Гро и Джаггер Артёма Дубашова. |
AJO CC402P |
CC402P sound in the bridge position, A-RAM guitar (Korea 1996), Ernie Ball 9/46 strings in the line input of the M-AUDIO sound card without any additional processing and equalizers, TECH 21T NYC Liverpool pedal. Also with the CRUNCH effect Also with the DISTORTION effect |
AJO CC501A |
Audio recording for AJO CC501A in bridge, ARAM guitar (Korea 1996), Ernie Ball strings 9/46 in the line input of the M-AUDIO sound card without any additional processing and equalizers. Audio recording for AJO CC501A with CRUNCH effect, in line input of M-AUDIO sound card, FLOYD ROSE machine, TECH 21T NYC Liverpool pedal. Audio recording for AJO CC501A with DISTORTION effect, in line input of M-AUDIO sound card, FLOYD ROSE machine, TECH 21T NYC Liverpool pedal. |
AJO CC501A |
Author's rhymes from Maxim Proust, guitarist and author of music and songs of the group Russalca. |
AJO CC502A |
Melodic and heavy, incendiary and soothing. Tests and author's riffs from The king of plastic sound Vadim Polanski, the leader of the KINGPLA project. |
AJO CC502A |
Авторские рифы от Короля пластмассового звука Вадима Поланского, лидера проекта KINGPLA. Часть 2. |
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AJO CC401P |
CC401P sound in the NEK position, A-RAM guitar (Korea 1996), Ernie Ball 9/46 strings in the line input of the M-AUDIO sound card without any additional processing and equalizers, TECH 21T NYC Liverpool pedal. Also with the CRUNCH effect Also with the DISTORTION effect |
AJO CC502A |
The sound of the AJO CC502A bridge sensor, Greg Bennett, Ernie Ball 9/46 strings in the line input of the M-AUDIO sound card without any additional processing and equalizers. Shure SM-57 microphone recording, Yerasov GTA-40R combo amplifier, TECH 21TNYC Liverpool crunch effect pedal. The same configuration with the DISTORTION effect. |
AJO CC502A |
Эпический и огневой |
AJO CC502A |
Driving composition on Ajo CC502A by Nikolai Troshin. |